A trick!

I thought I’d post up this short article as a way of sharing something I recently spotted in a local restaurant whilst out for dinner. The table was annoyingly wobbly and the waiter noticed this when he put down some wine glasses. Being a decent sort of guy, he offered to fix this and we duly accepted. Moments later he returned with a cork cut in to a wedge. He put it under the table base like a door stop and the problem was solved! This seemed like an ingenious solution to a common problem with something which is widely available in almost any restaurant. Below I’ve put a brief description of how to make your own table steadying cork wedge so that you can slip one into a bag or pocket when you next visit a restaurant. The wedge is soft, light and unlikely to damage furniture. It’s the perfect solution and it’s both free and easy!

Step 1:

Take one ordinarily sized cork from a winebottle. Place it on a flat surface and find an appropriate knife to cut it.

Step 2:

Cut it from top left to bottom right, diagonally across the cork as shown. Watch out as the cork can be a little tough to cut and you should obviously be careful when using a knife.

Step 3:

Two cork wedges perfect to slip under any wobbly tables!

There is no spoon: Does a silver spoon keep the fizz in Champagne?

Traditional wisdom runs that leaving a silver teaspoon, handle down, in the neck of a champagne bottle can help preserve the bubbles in an open bottle for longer.

There is an element of truth to this, but also a wide-ranging mythology which has grown up around it. Part of the problem in coming to an accurate judgement is the fact that all bottles of sparkling wine produced in the Champagne method are essentially unique micro-climates. Whilst this sounds technical and confusing, all it implies is that the second bottle fermentation which takes place leaves all bottles in slightly varying conditions. This isn’t to say that flavour or the fineness of the bead (a fine bead means that the bubbles in the wine are small, tightly packed and vigorous) varies, simply that its reaction to air once it has been opened is an essentially unknowable variable. The French refer to this loss of fizz as ‘éventage’, and it’s from the Gauls we inherit the spoon trick to prevent exactly this phenomenon.

Now, there have been plenty of investigations into different means to keep Champagne sparkling which have claimed to be scientific. Some are merely PR exercises for wineries, brands or universities, whilst others are led by industry bodies keen to develop best practice. One thing to watch out for is the tone with which the subject is approached. Even studies from respected universities tend to be phrased and conducted in the style of ‘And in other news…’ segments for TV News programs.

What seems clear from the various studies, most notably one from Stanford University, is that the spoon being silver had little to do with the end result. Many studies also found that the spoon’s influence was negligible, if detectable at all. That said, it was certainly not a negative influence. Indeed, the Stanford study found that the best results came from a refrigerated bottle left completely open and unsealed. Yet, the sticking point was that notionally identical bottles tested by the same methods produced differing results due to their innate differences – the micro-climates we spoke about earlier.

Another study conducted by the Centre Interprofessionel des Vins de Champagne (an industry body) agreed that the spoon’s influence seemed to be non-existent. US TV show ‘Mythbusters’ conducted their own limited test and determined that the influence of the spoon was actually negative, reducing the fizz in the bottle on the whole. Such programs cast an air of authority which their methods seldom justify, however, and it seems in this case that they are in direct disagreement with both scientists and industry specialists.

Indeed, Dr Richard Zare of Stanford University has posited that it is temperature which most affects a Champagne’s fizz. Warm liquids hold less gas and this means that chilling the wine ensures that more Carbon Dioxide (what creates the sparkle) is retained in the liquid itself. Likewise, the cleanliness of the glass you pour your Champagne into affects how bubbly the wine appears. Bubble trails start when they come into contact with tiny faults or microscopic dust and lint particles (think the cloth you dried your glass with) and this can start the wine a-bubbling.

Yet circumstantial evidence suggests that the spoon helps. You can speak to any number of different friends and relatives who swear by the method and avow that only silver does the trick. The answer undoubtedly lies in the micro-climate of the bottle. Spoons may do almost nothing, yet some bottles may retain their fizz a little longer naturally, seemingly affirming the impression that it’s the spoon that’s solved the problem. This is the kind of phenomenon which fuels many urban myths.

Another modern experiment (this one done in 2009, whilst Zare’s was back in 1994) has suggested, however, that the spoon can be a positive influence! The South African winery  Twee Jonge Gezellen responded to a travel company’s query and tested the same hypothesis as Zare, Mythbusters and the Champagne organisation. They found that results showed some improvement with the insertion of a spoon into the neck of the open bottle. They theorised that the spoon worked to radiate cold air from the regrigerator into the bottle quicker, creating a seal of cold air in the neck of the bottle better than would be created by an open neck and slowing the ‘éventage’. In this model, silver helps as it is an efficient conductor. Likewise, some have posited that silver’s anti-oxidant qualities may help  in some way ward off oxidisation in the wine, though this remains anecdotal at best.

Others have spoken about a pressure phenomenon called the ‘Venturi effect’ which essentially means that within the open bottle pressure remains high with a pressure differential towards the low pressure outside of the neck. According to this wisdom, a spoon would break this barrier and de-pressurise the bottle quickly, encouraging gas to leave the wine by ventilating the bottle and encouraging ‘éventage’. What’s also important to remember is that the wine seldom bubbles inside the bottle (its almost faultlessly smooth interior belying the effect of your dirty glass) and that anything microscopic attached to the spoon could cause some kind of cross contamination which provokes excess fizz in the short term.

In conclusion, I would hazard a guess at a means of reconciling all these divergent results. Firstly, temperature is obviously important – a fact recognised in all the studies. Secondly, Zare’s tests were conducted for 26 hours, a period of time which would nullify the quick cooling effect of the spoon. This is, to be honest, a slightly unrealistic expectation and it stands to reason that whilst a silver spoon overnight may help ensure an enjoyably sparkling Champagne breakfast, it is unlikely prevent ‘éventage’ in perpetuity. Lastly, and perhaps obviously, use a clean spoon if you’re going to try it.

A silver spoon may not actually preserve the wine, but it may help in some way and is unlikely to do any harm.  The only sure fire solution, it seems, is to drink the lot!

Corks and closures: sealing the deal


Debates on wine closures can largely be the result of initial reactions to the appearance of innovations or a sentimental attachment to their fore-runner. Nevertheless, it’s interesting to consider the various merits of different closures and also their down sides.

Corks

Clearly, the traditional means of closure has been well represented for centuries. Portugal produces almost 50% of the world’s cork, much of which finds its way into the neck of wine bottles. Cork trees live for around 200 years and can be stripped about every 9 years. They are widely praised as being a positive crop with benefits for the surrounding environment and wildlife. Similarly, they are recognised as the most environmentally friendly method of closure, as cork itself is inherently sustainable and easily recyclable.

French growers started using corks at some point in the mid seventeenth century, replacing the previous reliance on oiled rags (amongst other wild and wacky methods) as stoppers. Corks provide the best means for ageing red wines with a limited oxygen transfer encouraging long-term changes in the wine. The use of corks by prestigious and long-standing names in the French wine industry has played into the perception of cork as the superior closure and the only means for sealing premium wine.

Corks are not without their problems, however. One of the most common complaints about wine is that it is ‘corked’. This occurs when natural cork develops high levels of a chemical called TCA. This chemical causes unpleasant changes in the wine which can vary in their intensity. You should note that wine is not corked if it has bits of cork in it! Rather, wine will smell somewhat fungal or foxy and the palate will be muted but bitter. This natural fault occurs in something like 5% of bottles and is an unavoidable result of using natural materials. Nevertheless, intrepid scientists are working on means of conditioning cork to contain less TCA and halt the production of it in later years. The only real way to avoid such corked wine is to use an alternative closure, as described below.

Synthetic Corks

These tend to be made from plastics and often appear on cheaper bottles ready to eschew a screw-cap but not willing to invest in cork as a more expensive option. Clearly these offer little in the way of ageing potential as they aren’t especially malleable and don’t allow for air transfer. This will be perfectly obvious to anyone who’s ever tried to force one back into a bottle once it’s been opened. As these don’t mould the way corks do, you may find a sharp knife called into action to help you whittle a narrower end to force into the neck (or brute force)!

Screw Caps/ Stelvin closures

Although these closures endured something of a tumultuous introduction, they’ve quietly become the standard for a whole slew of wines. Basically, anything designed to be drunk young is perfect for a screw-cap. Although they predominate atop whites, some red producers are using them to seal wines designed for immediate consumption.

There is debate as to their use in bottle-ageing. They can help some bottles lie for up to 10 years, after which the interior can become brittle and fail. They certainly keep out more oxygen than traditional corks and this can help preserve the integrity of the wine.

The problem can come with gift-giving – I personally don’t like to give screw cap bottles as presents to friends. It’s irrational and fairly silly but it remains a misgiving which affects my purchasing decisions. Perhaps it’s an air of tradition which comes with cork which I want to see repeated in gifts. Personally, I’m more than happy to buy screw caps for my own consumption or for serving at my house, it’s just a bizarre prejudice that stops me buying them as gifts. Clearly they’re the equal of corks, although the problem remains one of image,

Zorks/Crown-caps/Vino-seals/Other things I’ve heard of but never actually seen

Zorks are apparently and Australian invention which, according to the publicity, ‘seal like a screw-cap and pop like a cork’. I have never seen one and feel in no way qualified to comment on it as a result. I’m dubious whether I ever will, though. I’ll keep my eye out at the London Wine Fair this year.

Crown-caps bring the worlds of wine and beer a little closer together. Although they are used at certain stages of the sparkling wine-making process, they are generally removed before shipping. Some wine-makers are now shipping their produce with a variety of this crown-closure which allows it to be sold as is. From what I can gather, these appear to be something like the caps that appeared on large bottles of Grolsch for a while and also adorn Tuborg bottles. Imagine a cross between a pull tab (like on a soft drink can) and a traditional bottle-cap. They’re intended for low-end sparkling wines, ensuring a perfect seal cheaply whilst still giving the satisfaction of a pop.

Vino-seals are not a water-dwelling mammal with a penchant for distilled grape juice. They are in fact something more akin to a traditional bottle-stopper (as you might employ at home). They are seemingly made of glass, which makes for a high unit price and helps to explain their scarcity.

It’s interesting that so many of these alternate closure methods seem designed to imitate the cork in some way. They are all valid options with their own attributes yet the endurance of cork is a signal of its trusted reputation. Likewise, it can serve as a mark of quality to the consumer, a fact recognised by the Spanish government when they banned the use of alternatives closures in 11 of its appellations. Screw-tops, however, have a definite role to play in the wine world, both in terms of convenience and economy. When it comes to sealing the deal, I’ll take whatever works!